{"id":1044,"date":"2023-07-24T15:17:51","date_gmt":"2023-07-24T15:17:51","guid":{"rendered":"https:\/\/embed.la.utexas.edu\/his-315l-external\/?p=1044"},"modified":"2023-07-24T15:17:51","modified_gmt":"2023-07-24T15:17:51","slug":"the-1960s-activity-12","status":"publish","type":"post","link":"https:\/\/embed.la.utexas.edu\/his-315l-external\/the-1960s-activity-12\/","title":{"rendered":"The 1960s: Activity 12"},"content":{"rendered":"\n<div class=\"wp-block-cover\" style=\"min-height:168px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\" style=\"background-color:#bf5700\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"984\" class=\"wp-block-cover__image-background wp-image-813\" alt=\"\" src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/Module12_HeaderII.jpeg\" style=\"object-position:53% 0%\" data-object-fit=\"cover\" data-object-position=\"53% 0%\" srcset=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/Module12_HeaderII.jpeg 1920w, https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/Module12_HeaderII-300x154.jpeg 300w, https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/Module12_HeaderII-1024x525.jpeg 1024w, https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/Module12_HeaderII-768x394.jpeg 768w, https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/Module12_HeaderII-1536x787.jpeg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-large-font-size\">Music<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/History_Through.jpeg\" alt=\"\" class=\"wp-image-49\" width=\"116\" height=\"94\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color has-background\" style=\"background-color:#333f48\">History Through&#8230;<\/h2>\n\n\n\n<h3 class=\"wp-block-heading has-text-color\" style=\"color:#bf5700\">&#8230;Music<\/h3>\n\n\n\n<p>Following World War II, technological innovations, such as the introduction of the light, durable, and inexpensive 45-rpm record by RCA Victor in 1948, made it easy for teens to create their own music collections. The invention of the transistor in 1947 led to the development of portable transistor radios and an explosion in the number of car radios, from six million in 1946 to 40 million in 1959.<\/p>\n\n\n\n<p>Television helped transform teen culture into a national culture. In 1957, Dick Clark persuaded <em>ABC<\/em> to include American Bandstand in its network lineup. Running Monday to Friday from 3:00 p.m. to 4:30 p.m. Eastern time, the show not only spotlighted new forms of dancing, it also showcased many African American recording artists and remained one of television&#8217;s only integrated programs until the mid-1960s. Television&#8217;s most popular dance show, it brought rock &#8216;n&#8217; roll and the latest fashions in dance and dress to millions of teenagers.<\/p>\n\n\n\n<p>But rock &#8216;n&#8217; roll generated extraordinary anger. FBI Director J. Edgar Hoover called it &#8220;a corrupting impulse,&#8221; and in Hartford, Connecticut, Dr. Francis J. Braceland described rock &#8216;n&#8217; roll as &#8220;a communicable disease, with music appealing to adolescent insecurity and driving teenagers to do outlandish things.&#8221; Between 1955 and 1958 there were numerous crusades to ban rock &#8216;n&#8217; roll from the airwaves. Meanwhile, executives with the major record companies sought to smooth the jagged edges of rock &#8216;n&#8217; roll. Sexually explicit songs were &#8220;covered&#8221;\u2014rewritten and rerecorded by white performers. The major record companies publicized a series of &#8220;kleen&#8221; teen idols, beginning with Tommy Sands in 1957.<\/p>\n\n\n\n<p>Most of the criticism of rock &#8216;n&#8217; roll focused on Elvis Presley, who more than any other artist most fully fused country music with rhythm and blues. In his first record, he gave the rhythm-and-blues song &#8220;That&#8217;s All Right Mama&#8221; a country feel and the country classic <a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/6\/7_a147bde90c56912\/2567_1b4b7183826354f.mp3\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Blue Moon over Kentucky&#8221;<\/a> a rhythm-and-blues swing. It was a unique exhibition of genius. In addition, Presley exuded sexuality. When he appeared on the Ed Sullivan Show, network executives instructed cameramen to avoid shots of Elvis&#8217;s suggestive physical movements. Finally, Presley upset segregationists by performing &#8220;race music.&#8221; Head of Sun Records, Sam Phillips, had once claimed, &#8220;If I could find a white man who had the Negro sound and the Negro feel, I could make a million dollars.&#8221; Presley was that white man.<\/p>\n\n\n\n<p>Within five years, the first phase in the history of rock &#8216;n&#8217; roll was over. Elvis Presley was inducted into the army. Buddy Holly and Richie Valens died in a plane crash; and Chuck Berry was jailed on charges of transporting a minor across interstate lines for immoral purposes. Meanwhile, disc jockey Alan Freed was fired from WABC in the midst of a payola scandal; Little Richard&#8217;s religious conversion led him to stop performing; and Jerry Lee Lewis was in disgrace following his marriage to a thirteen-year-old cousin. Despite these shocks, youth music was not completely absorbed into mainstream culture. By the end of the decade, a new phase in the history of rock &#8216;n&#8217; roll had begun, with the rise of the Girl Groups, the Motown sound, and surfer music.<\/p>\n\n\n\n<p>More than half a century after its advent, rock &#8216;n&#8217; roll remains the distinctive and dominant form of youthful musical expression. Its persistence is not an accident. Rock &#8216;n&#8217; roll emerged as a solution to the psychological and emotional frustrations of the teenager. Prolonged schooling, delayed marriage, and postponed entry into adult careers made rock culture increasingly appealing as a visceral form of cultural rebellion. It offered an expressive outlet for all the pent-up energy, sexuality, and individualism that teens experienced. Indeed, now that the category of youth extends far beyond the teenage years, encompassing both children as young as eight and young adults into their late twenties and early thirties, the appeal of rock and roll has broadened, even as its forms fragmented.<\/p>\n\n\n\n<p><strong>Lyric A<\/strong><\/p>\n\n\n\n<p>&#8230;Father, father<\/p>\n\n\n\n<p>We don\u2019t need to escalate<\/p>\n\n\n\n<p>You see, war is not the answer<\/p>\n\n\n\n<p>For only love can conquer hate<\/p>\n\n\n\n<p>You know we\u2019ve got to find a way<\/p>\n\n\n\n<p>To bring some lovin\u2019 here today. . .<\/p>\n\n\n\n<p>\u2014\u201cWhat\u2019s Going On,\u201d Al Cleveland, Marvin Gaye, Renaldo Benson, 1971<\/p>\n\n\n\n<p><strong>Lyric B<\/strong><\/p>\n\n\n\n<p>&#8230;Yeah, my blood\u2019s so mad<\/p>\n\n\n\n<p>Feels like coagulatin\u2019<\/p>\n\n\n\n<p>I\u2019m sittin\u2019 here, just contemplatin\u2019<\/p>\n\n\n\n<p>I can\u2019t twist the truth<\/p>\n\n\n\n<p>It knows no regulation<\/p>\n\n\n\n<p>Hand full of senators don\u2019t pass<\/p>\n\n\n\n<p>legislation<\/p>\n\n\n\n<p>And marches alone can\u2019t bring<\/p>\n\n\n\n<p>integration<\/p>\n\n\n\n<p>When human respect is disintegratin\u2019<\/p>\n\n\n\n<p>This whole crazy world<\/p>\n\n\n\n<p>Is just too frustratin\u2019. . .<\/p>\n\n\n\n<p>\u2014\u201cEve of Destruction,\u201d P.F. Sloan, 1965<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color has-background\" style=\"background-color:#333f48\">Hidden History<\/h2>\n\n\n\n<h3 class=\"wp-block-heading has-text-color\" style=\"color:#bf5700\">How Did Rock \u2018n\u2019 Roll Become White?<\/h3>\n\n\n\n<p>The first members of the Rock and Roll Hall of Fame were Elvis Presley, Chuck Berry, Little Richard, Fats Domino, Jerry Lee Lewis, Sam Cooke, James Brown, the Everly Brothers, Buddy Holly and Ray Charles. Six were black, five were whites.<\/p>\n\n\n\n<p>At its birth, rock \u2018n\u2019 roll was multiracial.<\/p>\n\n\n\n<p>This would continue. During their early years, the Beatles covered the <a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/6\/9_fd0c76116ee1c08\/2569_15e4c072c6ef860.mp3\" target=\"_blank\" rel=\"noreferrer noopener\">Marvelettes\u2019 \u201cPlease, Mr. Postman\u201d<\/a> and the<a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/6\/8_7317c7303408549\/2568_fc23e911206926c.mp3\" target=\"_blank\" rel=\"noreferrer noopener\"> Isley Brothers\u2019 \u201cTwist and Shout.\u201d<\/a>&nbsp;(Beatles&#8217; version of <a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/7\/0_68bfffbfecd174c\/2570_f2b6b869518a694.mp3\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Please Mr. Postman&#8221;<\/a> and <a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/7\/1_51054e68035a77f\/2571_4a11ca4fc37d248.mp3\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Twist and Shout.&#8221;<\/a>)<\/p>\n\n\n\n<p>Indeed, in 1963, <em>Billboard<\/em> magazine stopped publishing separate pop and R&amp;B charts since there was so little difference in the songs on the charts.&nbsp;<\/p>\n\n\n\n<p>Yet in 1970, when Jimi Hendrix died, an obituary described him as \u201ca black man in the alien world of rock.\u201d<\/p>\n\n\n\n<p>Music became more segregated by race, with funk, disco, reggae, and hip hop largely associated with African American musicians and rock with white musicians. MTV had been on the air for nearly two years before it played the first music video by a black performer: Michael Jackson\u2019s video <a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/7\/2_46612e10e423b9d\/2572_e06a29321367ad8.mp4\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cBillie Jean,\u201d<\/a> in 1983.<\/p>\n\n\n\n<p>Early rock \u2018n\u2019 roll was remarkably inclusive. It included doo wop, surfer music, rockabilly, soul, and Motown. Rock, however, refers to something much more specific: As blues-inflected guitar music with a strong beat played by white musicians.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h3 class=\"wp-block-heading has-text-color\" style=\"color:#bf5700\">Film<\/h3>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"272\" style=\"aspect-ratio: 480 \/ 272;\" width=\"480\" controls src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/That-Touch-of-Mink-1962.mp4\"><track src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/That-Touch-of-Mink-1962.vtt\" label=\"English\" srclang=\"En\" \/><\/video><\/figure>\n\n\n\n<p>As the 1960s began, few would have guessed that the decade would be one of the most socially conscious and stylistically innovative in Hollywood&#8217;s history. Among the most popular films at the decade&#8217;s start were Doris Day romantic comedies like <em>That Touch of Mink<\/em> (1962) and epic blockbusters like <em>The Longest Day<\/em> (1962), <em>Lawrence of Arabia<\/em> (1962), and <em>Cleopatra<\/em> (1963). Yet, as the decade progressed, Hollywood radically shifted focus and began to produce an increasing number of anti-establishment films, laced with social commentary, directed at the growing youth market.<\/p>\n\n\n\n<p>By the early 1960s, an estimated eighty percent of the film-going population was between the ages of 16 and 25. At first, the major studios largely ignored this audience, leaving it the hands of smaller studios like American International Pictures, which produced a string of cheaply made horror movies, beach blanket movies\u2014like <em>Bikini Beach<\/em> (1964) and <em>How to Stuff a Wild Bikini<\/em> (1965)\u2014and motorcycle gang pictures\u2014like <em>The Wild Angels<\/em> (1966).<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"344\" style=\"aspect-ratio: 640 \/ 344;\" width=\"640\" controls src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/The-Wild-Angels-1966.mp4\"><track src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/The-Wild-Angels-1966.vtt\" label=\"English\" srclang=\"En\" \/><\/video><\/figure>\n\n\n\n<p>Two films released in 1967\u2014<em>Bonnie and Clyde<\/em> and <em>The Graduate<\/em>\u2014awoke Hollywood to the size and influence of the youth audience. <em>Bonnie and Clyde<\/em>, the story of two depression era bank robbers, was advertised with the slogan: &#8220;They&#8217;re young, they&#8217;re in love, they kill people.&#8221; Inspired by such French New Wave pictures as <em>Breathless<\/em> (1960), the film aroused intense controversy for romanticizing gangsters and transforming them into social rebels. A celebration of youthful rebellion also appeared in <em>The Graduate<\/em>, which was the third-highest grossing film up until this time. In this film, a young college graduate rejects a hypocritical society and the traditional values of his parents\u2014and the promise of a career in &#8220;plastics&#8221;\u2014and finds salvation in love.<\/p>\n\n\n\n<p>A number of most influential films of the late &#8217;60s and early &#8217;70s sought to revise older film genres\u2014like the war film, the crime film, and the western\u2014and rewrite Hollywood&#8217;s earlier versions of American history from a more critical perspective.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"480\" style=\"aspect-ratio: 854 \/ 480;\" width=\"854\" controls src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/The-Wild-Bunch-1969.mp4\"><track src=\"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-content\/uploads\/sites\/15\/2023\/07\/The-Wild-Bunch-1969.vtt\" label=\"English\" srclang=\"En\" \/><\/video><\/figure>\n\n\n\n<p>Three major war films\u2014<em>Little Big Man<\/em>, <em>Patton<\/em>, and <em>M*A*S*H<\/em>\u2014 reexamined the nineteenth-century Indian wars, World War II, and the Korean War in light of America&#8217;s experience in Vietnam. <em>The Wild Bunch<\/em> (1969) and <em>McCabe and Mrs. Miller<\/em> (1971) offered radical reappraisals of the mythology of the American frontier. Francis Ford Coppola&#8217;s <em>The Godfather<\/em> (1972) revised and enhanced the gangster genre by transforming it into a critical commentary on an immigrant family&#8217;s pursuit of the American dream.<\/p>\n\n\n\n<p>During the 1960s, popular movies began to take a more critical look at U.S. history and society, celebrating outlaws (like <em>Bonnie and Clyde<\/em>, two Texas bank robbers) and non-conformists (like the character played by Dustin Hoffman in <em>The Graduate<\/em>).<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#bf5700\">Click the links to access the trailers for <a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/7\/3_1cd6e6a9c957ed1\/2573_99cf690602d9ae1.mp4\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Graduate<\/em><\/a>,&nbsp;<a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/7\/4_99aa5b9e735916b\/2574_46e53045a137e32.mp4\" target=\"_blank\" rel=\"noreferrer noopener\"><em>McCabe and Mrs. Miller<\/em><\/a>, and <a href=\"http:\/\/resource-space.la.utexas.edu\/filestore\/2\/5\/7\/5_40879601b5eea8a\/2575_7b8189217accb3e.mp4\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Cleopatra<\/em><\/a>.&nbsp;<em>That Touch of Mink<\/em>, <em>Wild Angels<\/em>, and and the <em>Wild Bunch<\/em> are displayed above in that order.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>History Through&#8230; &#8230;Music Following World War II, technological innovations, such as the introduction of the light, durable, and inexpensive 45-rpm record by RCA Victor in 1948, made it easy for teens to create their own music collections. The invention of the transistor in 1947 led to the development of portable transistor radios and an explosion [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1044","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"ayh396","author_link":"https:\/\/embed.la.utexas.edu\/his-315l-external\/author\/ayh396\/"},"uagb_comment_info":0,"uagb_excerpt":"History Through&#8230; &#8230;Music Following World War II, technological innovations, such as the introduction of the light, durable, and inexpensive 45-rpm record by RCA Victor in 1948, made it easy for teens to create their own music collections. The invention of the transistor in 1947 led to the development of portable transistor radios and an explosion&hellip;","_links":{"self":[{"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/posts\/1044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/comments?post=1044"}],"version-history":[{"count":1,"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/posts\/1044\/revisions"}],"predecessor-version":[{"id":1051,"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/posts\/1044\/revisions\/1051"}],"wp:attachment":[{"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/media?parent=1044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/categories?post=1044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/embed.la.utexas.edu\/his-315l-external\/wp-json\/wp\/v2\/tags?post=1044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}